Acting is a bit of a heart and soul exercise with me. It's kind of all I've got.

As an outsider in America, you do see the kind of hypocrisy that's rampant there.

I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.

There's very little different between the way the government operates in America and the way criminals do.

You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

At 15 I had moved out of my parents' place, and my options were looking pretty narrow. But I had this acting thing and I just wanted to be able to keep going because it was really good. That was all I wanted.

I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.

I think now there's much more of a confessional culture. That's not my bag. I come from a slightly older school of thought: 'give 'em nothin.' You don't plead guilty.

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.

The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

I myself love getting cookbooks and novels that some congenial person has already tried and liked.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

I published only in academic journals in philosophy until I was in my 40s, but I had been writing fiction and poetry my whole adult life - without ever once trying to publish it, and rarely letting anyone read it.

Many books have mattered enormously to my life and work. 'David Copperfield' by Charles Dickens would be one of several contenders for 'most influential.' I first read it at 13 and have reread it dozens of times since.