When we got with George, he didn't care what was happening. He liked how crazy we were looking and dressing. I kinda liked being with George more so at the time, because George let us do what we wanted to do. But I needed both lessons.

When you're used to playing with people, when you're in a band, then you're used to playing with each other. People nowadays aren't used to playing with each other because they don't have to.

Yeah, because what it all boils down to is at the end of the day, we are all riding on the same boat and we have to learn how to deal with each other. I think that the music and what we do in our actions is what can kind of bring us together, hopefully.

You have to get up and plant the seed and see if it grows, but you can't just wait around, you have to water it and take care of it.

When I was coming up, we weren't trying to get a hit or get paid, we were just trying to do our thing. The only thing we were really trying to do was to be recognized for our originality.

We are all human and I want to relate that message to all people.

I try to bring it across on my record, in my dress, in what I do and what I say because to me humor is important. You should have a dose of that and I guess giving it is what I'm here for.

Usually when I'm out doing stuff, I'm just out in the wild, doing the wild thing. I don't really get a chance to just chill out until I come here, in my creative space.

The smartphones and the computer separates everybody, makes you think that you don't need nobody else.

Well actually, we are working on the live album from the shows in Japan. I'm trying to get that finished.

A roast is like a get-together where people come down and talk about you and dog you out, the way you came up, the knucklehead things that you did, stuff like that.

But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up.

But I'm always trying to plan ahead too and in doing so, and in working on this album, I've met a lot people that I hope to be involved with, on their records and in their situations.

Catfish is not playing guitar no more, he's doing like a home-front thing. He had been in the business around ten years before I got in it, so I guess he's had enough of it.

Funk is the absence of any and everything you can think of, but the very essence of all that is. And saying that, I'm saying funk is anything that we create in our minds that we want to do, what we want to be, but we don't have the resources.

I guess some of today's programming has rubbed off on me because I find myself having to set time around for touring, putting that together and then setting time around for recording.

I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.

I used to draw stickmen with star glasses when I was at school. I didn't realise that would end up being me! The whole idea was that the glasses had mirrors, and if a youngster looked at me, they'd see themselves. Everybody is a star.

I wanna keep creating those situations for myself so I don't have to be out front all the time. Then when I do have to be out front, I can do it to the max.

I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.