I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.

I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.

It's been really interesting watching people's reactions to the new music, to the old music and also watching how modern young people will be standing in front of something going on like live music, and there's a camera in front of their face.

No one's played on the moon yet. No one's played in zero gravity. Some bands have played at the Pyramids of Giza, but we'd very much like to do that in the near future.

To me, it's like the difference between a pen and a paintbrush. Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from. Nobody really does. It sort of arrives when it wants to.

We are very fortunate to live in this country, but at the same time, the reason the forces are so much more destructive here is because they are faceless.

What's interesting is a lot of the older music when we start performing it, it acts a lot like muscle memory. It's kind of like riding a bike. For me as a singer, I just had to remember like what part of my face I sang that into.

The girl I find who wants to talk about quantum theory in a bar is the one I want to marry.

I suggest we learn to love ourselves before it's made illegal.

It's great to want to be part of something, but it's a different thing completely to believe wholly in some type of movement, and to give everything for that something.

Music has always been my back door to life. It is important for people to find something that excites them. I like the concept that if you do what excites you, you will be rewarded generously, whatever form reward takes, which is not necessarily money.

I learned from a very young age that if I pursued the things that truly excited me, that they would reward in more important ways, like happiness.

I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.

I'll make music, whether or not anyone is listening, for the rest of my life. It's a natural form of expression for me, the same way I draw and write and sing.

My parents are wonderful, and I'm really lucky - but my mom has always been almost exclusively a right-brained person. She goes completely on her feelings of things, on her intuition, and so she instilled that in my brothers and I.

I am tapping into a place in you that is unexplored, and very dangerous, but I think essential to the creative life of an artist.

I have always idolized eccentric people.

There are five known gyres spinning around in our world's oceans. A gyre is a slowly moving spiral of currents created by a high pressure system of air currents. A spinning soup, so to speak, is made of what exists in the water. And in this case, the gyres are spinning with millions of tons of our discarded and forgotten about plastic waste!

Big Brother is watching... look busy.

Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from.