Sometimes, whether you like it or not, people elevate you. It's real easy to fall.

The one thing about going from the audience to the stage in just three years is that you know how it feels to be down there.

You can't be perfect. You can't be the perfect father. You can't be the perfect singer.

You know, punk bands now sell with one record - their first or second record - sell 10 times the amount of records than the Ramones did throughout their career with 20-something records. That's why I go over to Johnny Ramone's house and do yard work three times a week, just to absolve some of the guilt.

Do you force your kids to pay attention to what's going on, or do you let them live their lives outside of it? My hope is that my child is a strong activist. That would make me most proud.

I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.

When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.

As far as viewpoints, I think I'm more well-rounded and definitely more educated, and probably more hopeful than I used to be. I think when you're young and you get into a cause, you get frustrated with it within a few years, or six months.

At a certain point, you realize you have a responsibility more behind yourself and your need for adrenaline. I'm glad I did things in my 20s that were more reckless.

I had actually been going to Hawaii for quite a while before I ever picked up the uke. I think with anything new you're going to get more enjoyment out of it if it comes to you quickly, and the uke facilitates that.

I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.

I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.

I was living on the wrong side of the tracks in Evanston, Illinois, in a home for boys. We had these Jackson 5 records. I really related to their voices - they were about my age, but they were doing it.

I'd like people to be educated on the voting machines, making sure that our democracy isn't being hijacked by computer technology. There's no reason there can't be a paper trail on those machines.

I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.

If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.

If I'm not on tour or in the studio, I'm in nature somewhere, usually some kind of ocean. Playing music has afforded me that. It's not lost on me that it's a tremendous opportunity to be able to spend your life being surrounded by nature.

If there was anything that I learned with my own writing process, maybe there's too many choices what to write about. Just the amount of subject matter in the world these days; maybe that feels chaotic for me.

No matter how good you are, at some point your kids are gonna have to create their own independence and think that Mom and Dad aren't cool, just to establish themselves. That's what adolescence is about. They're gonna go through that no matter what.

Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.