For me it's more important that I outline all the facets of a controversial issue and let the reader make up his or her mind. I don't care if readers change their minds, but I would like readers to ask themselves why their opinion is what it is.

I don't believe in writer's block. Think about it - when you were blocked in college and had to write a paper, didn't it always manage to fix itself the night before the paper was due? Writer's block is having too much time on your hands.

I feel I'm able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won't have to live through it, I guess.

I had absolutely no trauma in my childhood. If anyone ever assumed that my books were autobiographical, they'd be sorely disappointed, because none of these things happened to me.

I know that books I have written will still resonate in 50 years - particularly 'My Sister's Keeper.' It has sold three million copies in the States alone. I strongly feel that, as a novelist, you have a platform and the ability to change people's minds.

I started writing when I had three kids under the age of 4. I used to write every ten minutes I got to sit in front of a computer. Now, when I have more time, I function the same way: if it's writing time, I write.

I think many of my books, including 'Handle with Care,' including 'My Sister's Keeper,' circle back to how far are we willing to go for the people we love? I think love changes the way we think. It's the thing that takes you out of what your normal set of beliefs would be.

I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.

I think the reason these readers come back to me is because I represent their points of view. It may not be my point of view, but that's OK. Everyone still deserves to have their say.

I think there are readers out there and I don't think the book is dead. And more importantly I don't think readers have to choose between literary and commercial fiction.

I was one of the first authors to have an active website. I'm totally obsessed with technology. I'm always looking for ways to connect with my readers. I answer all my fan mail.

I will say overwhelmingly what means so much more to me than the opinion of one reviewer are the letters I get from fans who tell me how a particular book has changed their life.

I write about all the horrible things that can happen to kids as a way of keeping those things from happening to mine. Write the books, spit three times over your shoulder and you're safe.

I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!

I'm always writing, even when I'm not at my desk. I write on my hands. I used to write on my kids' hands, too, but they don't let me any more. When I'm driving I sometimes write all the way up my arms.

I'm not going to tell a person how to think, don't believe in that. What I want to do, when I write these books, is just to say don't be so sure of yourself. Let me pull the carpet out from underneath you, and let's see if you can still find the footing.

I'm the kind of person you want to kill. I had an incredibly happy childhood. I married a terrific guy when I was 23. I have great, well-adjusted kids. Sometimes my husband and I look at each other and do a little jig in the kitchen. This is the best life.

If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.

If you read the first page of one of my novels, I can guarantee that you will read the last one. This isn't just social commentary. This is also about writing good page-turners. I want people to keep reading.

It's a fallacy that writers have to shut themselves up in their ivory towers to write. I have all these interruptions, three of which I gave birth to. If I was thrown for a loop every time I was distracted I could never get anything done.