To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

Tell me, what is it you plan to do with your one wild and precious life?

When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms.

I simply do not distinguish between work and play.

I have a notion that if you are going to be spiritually curious, you better not get cluttered up with too many material things.

To pay attention, this is our endless and proper work.

I was very careful never to take an interesting job. If you have an interesting job, you get interested in it.

We all have a hungry heart, and one of the things we hunger for is happiness. So as much as I possibly could, I stayed where I was happy. I spent a great deal of time in my younger years just writing and reading, walking around the woods in Ohio, where I grew up.

Writers sometimes give up what is most strange and wonderful about their writing - soften their roughest edges - to accommodate themselves toward a group response.

In college, you learn how to learn. Four years is not too much time to spend at that.

So this is how you swim inward. So this is how you flow outwards. So this is how you pray.

Poetry isn't a profession, it's a way of life. It's an empty basket; you put your life into it and make something out of that.

It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning - it'll be gone.

I very much wished not to be noticed, and to be left alone, and I sort of succeeded.

I worked probably 25 years by myself, just writing and working, not trying to publish much, not giving readings.

If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.

My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.

I consider myself kind of a reporter - one who uses words that are more like music and that have a choreography. I never think of myself as a poet; I just get up and write.

I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.

Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together.