For our immediate family and relatives, Canada was a land of opportunity.

About seven years later I was given a book about the periodic table of the elements. For the first time I saw the elegance of scientific theory and its predictive power.

Furthermore, neither of our research groups set out in search of RNA catalysis.

I was born in Montreal in 1939, the second son of poor immigrants.

It was from them that I learned that hard work in stable surroundings could yield rewards, even if only in infinitesimally small increments.

Nevertheless, as is a frequent occurrence in science, a general hypothesis was constructed from a few specific instances of a phenomenon.

The RNA World referred to an hypothetical stage in the origin of life on Earth.

We are very fortunate to be recognized here in such an extraordinary manner for work that we enjoy.

By the time I reached high school my father's grocery store had made our life adequately comfortable and I was able to choose, without any practical encumbrances, the subjects that I wanted to pursue in college.

Eight months later, having left Columbia, I was studying physics in a summer program and working in Colorado when I decided to enroll as a graduate student in biophysics.

I spent eighteen months as a graduate student in physics at Columbia University, waiting unhappily for an opportunity to work in a laboratory and wondering if I should continue in physics.

Indeed, we are privileged to have been afforded the opportunity to study Nature and to follow our own thoughts and inspirations in a time of relative tranquillity and in a land with a generous and forward-looking government.

My intention was to enroll at McGill University but an unexpected series of events led me to study physics at the Massachusetts Institute of Technology.

The mystique associated with the bomb, the role that scientists played in it, and its general importance could not fail to impress even a six-year old.

We are united in the hope that every individual will someday enjoy at least the intellectual privileges we have had, if not always the material advantages.

A lot of my pieces are about easy seductiveness and accessibility in terms of showing skin.

Ballet teaches you how to hold yourself.

I always listen to music while I draw.

I wanted to create clothes for women in their 40s and 50s and 60s who have careers and are sexy and don't want to look like grandmothers.

If you take away print and embroidery, you have to challenge yourself a bit more on the cut.