Lupe Fiasco's Quotes

In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.

It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.

It was, 'If you don't do 'The Show Goes On,' your album's not coming out.' I had nothing to do with that record - nothing. I was literally told how I should rap on it. But I'm a bastard, 'cos I'll turn around and put it back in your face.

My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'

Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.

Once you've been on tour six, seven years, you get an idea of what works and what doesn't work universally. There will be some crowds that we just can't play a song, but we've got 90% of a show that we know is going to be a hit with the Lupe Fiasco fan. I think the catering has already been done.

People say, 'If you don't vote, then you don't have a right to say anything. But nine times outta 10, I pay more taxes than they do - so even if I don't vote, I still have the right to speak out.

Some people are the greatest people on Earth with good hearts and will get in the studio and make the most negative music in the world for the sake of success. That's what the music business does to you. That's what capitalism does to you.

Some stuff I don't even put out. I'll just be home, happy, creating something for myself, and then ball it up and throw it in the trash. It's less about trying to prove something or get on somebody's list or make a fan happy or make a hater mad or convert a non-believer. That's not the case for me anymore.

Sometimes I do feel hopeless when I look out and scream out through my music, and I scream out through these interviews, and I scream out to people to kind of get their attention back on the things that are meaningful. There's people dying on the streets of Chicago - young people, young men and women who are losing their lives.

Sometimes I wish I never found the Internet. Sometimes I regret getting a laptop and Wi-Fi for logging into the Internet because it is such a distraction. If you have any addictive personality, the Internet will magnify it.

The economical policies that are instigated really makes you think that the American government is a bunch of evil bastards. So just because you're black, you're still representing that government, and when Obama came into office he enacted the same policies that we would critique other presidents for.

The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it - they all look like Chief Keef. When it comes to the point that, you know, that kids who are doing the killings, and they're kids 13 to 19 years old, and you can replicate that in New Orleans, you can replicate that in Oakland. All the kids look the same.

The only person who really impressed me with making new music is Cudi. Everyone else seems to be jumping on the same music, the producer-made stuff, but the one person that's made new music to me is Cudi.

The party lines don't change, that's what makes them a party and you'd be a fool to think that just because there's a black man in there it's not gonna change the real foundation of the system. Especially when you look at his largest contributor to his campaign, AIG, one of the culprits in the economic meltdown itself.

There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.

There's already been black presidents who've been corrupt, so it doesn't strike me that having a black man in office means he's going to be the Messiah.

This game wears on you. It tears you down. It's perpetual motion for some people who've achieved a level of independence, like Madonna and Jay-Z - they don't need to do music anymore. But there's people who need it. And in that need, that's when it's tough and it tears you to pieces.

This nation was founded by rebels and revolutionaries, and its flags were carried across the battlefields by people who were very, very against the status quo and who questioned and criticized.

True terrorism, you know, weaponized fear. In defense of ourselves, we're fighting - actively fighting something else. But if you're going to fight terrorism, to me, you fight the root causes of terrorism.

We have to make the physical music a little more valuable instead of just having a download link and a bunch of songs you downloaded from some torrent site. People try to make the music value-less, and I don't think we're going to stop that train, but the one thing that they can't devalue are things that are in the outside world.

We've done shows - we'll be in Dublin, and it will be nonstop pandemonium to the point where you think the crowd is going to implode, because they're making so much noise and they're so excited.

What's the biggest commercial for aggression, sexuality and materialism? What gets pumped into these kids' heads? Taking someone else's girl, which is so laissez-faire in hip-hop, will get you killed in the streets, but it doesn't seem to be an issue when you hear it on the radio.

When you start creating opinion, and you start creating difference of opinion, you're doing something. People are actually sitting down and critiquing. A lot of the stuff people hate, they really don't. They only look at the outer shell. They don't really get into it.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

You can't control it once you turn it into the label, so there's the expectation that it'll leak a week before the album comes out. That's the world we live in.

You expect certain things. You build up in your mind how it's supposed to go down. When you get a record deal, you think you're supposed to get X, Y, and Z. It doesn't happen like that. You're like 'Oh, this isn't as exciting as I thought it was going to be.'

You have educate the masses to exactly what their tax dollars are going to pay for. I think once people educate themselves and open up their minds to understand that on that really basic level, then you'll have some type of change in the way that Americans associate themselves and participate in their own political process.

You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.

In my fight against terrorism, to me, the biggest terrorist is Obama, and the United States of America.

Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.

I think you have to ask yourself does voting work on the level that you are trying to effectuate change; that is the conversation you must have.

With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the rest of your life.

Chief Keef scares me. Not him specifically, but just the culture that he represents.

I always preach that you have to be active as a citizen no matter what, and some people just voting as an excuse not to do anything.

I can't play any instrument for the life of me, but I know what I want to hear.

I find it somewhat liberating to jump, to dive into things that are the opposite of me.

I trust people to be human. Sometimes you do things that make amazing amounts of sense; sometimes you do things that don't make any sense whatsoever.

It's a massive undertaking putting an album together... It's not light weight at all.

Obama came in and gave $700 billion to the bankers off the top as opposed to giving $700 billion to the poor.

That should be the measure of success for everyone. It's not money, it's not fame, it's not celebrity; my index of success is happiness.

The story of 'Lasers' is my story. I didn't have to look too far to get subject matter for this record; it was stuff that was happening to me.

We weren't raised Muslim - we were born Muslim. I didn't go to a Muslim school, but it was just the theme song. It was ambient.

You know what I had a problem with? The war - the war in Afghanistan.

People don't understand that where I come from, everyone is either a convict, been in jail, been in a gang, is a hooligan of some sorts, but those are my brothers, my family and the people that I travel with. Those are the people that I roll with.

360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.

All the big revolutions, whether it's the Industrial Revolution, the Arab Spring, those changes happened by economic and social shifts brought about by the people's voices, and those things weren't voted for. Most of our changes today are brought about through technology, not by voting.

Barack is at a level where he can't - no matter how much he wants to or how much we want him to - he's not going to come take out our garbage, so to speak. He can't be the garbage man and the president. He can't be the mayor and the alderman. He can't fill all those roles. So I always push for local, local activity on the political scene.

Before my father would open up a karate school in a particular neighborhood, he'd clean up the block - kick all the drug dealers and gang bangers off the block. My father was very clear: 'I've got guns too, and I'll kill you just as much as a rival gang would.' And he meant it. He was a man of many facets and complexities.

Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'

Everybody has their opinion on what's 'real,' and what's they choose to listen to and their personal preference. Whether they're 2 years old or 200 years old. And people can listen to whatever they want.

Faced with the way the system does you in the 'hood sometimes, if you don't literally get out, your chances are slim. You'll definitely die mentally. You'll pretty much die physically.

For me, I never wore my religion on my sleeve, you know what I'm saying? I never put myself out there as Lupe Fiasco, he's Muslim, he's from Chicago, he likes to ride a skateboard.

I always saw two sides of life. I saw the dudes who would be the gangsta, big-time guys on the block, but would also be dedicated fathers. It was kind of weird to see that dual story that everybody has.