Matthew Macfadyen's Quotes

I have felt some twinges recently, about parts I wanted to play that I may be getting too old and fat to do. 'Hamlet,' for example - maybe that's gone. I would love to play Richard II.

I think I do have a good eye. It's quite liberating, being in a position to read a script and say, 'No.' It's really the only power you have, as an actor.

I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I'll be doing next - or even if I'm going to work.

I try to be fussy about the parts I play. I think that's quite prudent, it means you're stretching different muscles, and you're scaring yourself by doing something which is out of your comfort zone.

I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it's fine.

I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy - there's further to fall. All these little worries.

Nobody's really unsympathetic, I think. People do good and bad things. If a character's totally unsympathetic, they're not real and I'm not interested.

Nobody's really unsympathetic, I think. People do good and bad things. If a character's totally unsympathetic, they're not real and I'm not interested. Even the real monsters have to have a spark of something you can relate to.

The lovely thing about being an actor is being anonymous, it's never having to explain yourself. And that's what I find interesting about actors or painters I admire. I don't want to know about their lives.

The security comes, as an actor, in knowing that you're not in control. If you try to control your career, or how people perceive you, you'll make yourself unhappy, because life doesn't work like that. So much is luck. It's much better to let yourself off, to think, 'There's nothing I can do.'

Nobody's just arrogant. I've met people who are embattled and dismissive, but when you get to know them, you find that they're vulnerable - that that hauteur or standoffishiness is because they're pedaling furiously underneath.

My vanity is I'm terribly romantic! But being married is lovely.

Apart from earning an awful lot of money, why would you go to Hollywood?

I can't throw books away. My wife is always telling me to get rid of some.

I don't feel like a romantic lead; I guess I feel more like a character actor.

I just loved the whole idea of being an actor.

I love books.

I love TV and I love making films and I love doing plays. I feel very lucky to be able to do all three.

I think people ought to do what they feel useful at the time. If I do things because I ought to do them, I switch off.

I would hate not to do a play every couple of years. I think it's not me.

I wouldn't want to leave it so long before doing a play again, I get very stolid and sluggish if I do too much telly.

I'd auditioned for the National Youth Theatre and I didn't get a place and it was terrifying.

It must be odd, being recognisable. I would hate to lose that anonymity. It happened for a while with 'Spooks.' No one notices me now.

It must be odd, being recognizable. I would hate to lose that anonymity.

It's a real skill to be able to publicise yourself.

People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.