Peter Mullan's Quotes

I'm not a huge kind of visual director. For me, it's all about the acting. There's no greater buzz than working with actors and seeing what they can do and how much they can improve on what you'd written. That will always be on the top of my list. It's a real privilege to see it live before anyone else sees it.

If I'm at home on my own and the writing isn't going well, I clean my house. And there have been times in the past few years when my house has looked really clean.

If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat.

If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use your knife, that's an acting exercise. Nine out of 10 delinquents are frustrated actors.

In bringing the subject of religious oppression to a wider audience, I didn't just want to kick the Catholic Church but to poke a finger in the throat of theocracy and to let it be known that people shouldn't tolerate this anymore.

In Scotland, we're a colony in more ways than one. So when directors come up to work, there's a very particular way they want Scotland to look like and to behave like.

It takes a very strong brain to resist the absolutes, the myths that the media and the politicians peddle - the idea that if you are too kind, where does it all end? That not to help someone is somehow a good idea.

It's not so much that I want to direct but that I have to. When I write something it terrifies me that if I give it to someone else and it doesn't turn out as it could have done, I'd feel as if I'd orphaned my baby.

Most actors I know come from a screwed up background, so it makes sense that if you can walk on to a space and recreate your reality, then that's the place that will become very dear.

No hard guy's not scared when another hard guy's knife is coming at you. You're scared, obviously, but you've to act less scared than he is. It's who is going to act less scared.

Part of the reason why movie bosses are so obsessed with crime movies is because they know that world and the criminals. And that's what they are - they would not hesitate to act illegally to achieve profit and gain.

Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.

The Vatican has tried to condemn 'The Magdalene Sisters' as a pack of lies and that I've made it all up - I wish I was that good a dramatist - and in terms of public relations, that was the daftest thing they ever did.

The Vatican is like a huge kind of magician's club. The more you look into it the more awful it becomes. And they're laughing at us. That's when I get angry.

The working-class aspirations are worse now than when I was a kid - and it was pretty bad when I was a kid. Reality TV means they are being told they are no longer a working class, they're an underclass. Young lassies want to be Jordan or Jade, but very few aspire to be the next Germaine Greer.

There's a part of bohemia I love. The lack of prejudice, the lack of aggression, I love the lack, for the most part, of competitiveness. It's more peaceful.

There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer...', that director's going to hate your guts. Particularly if it's a good idea.

Watching people just look out for themselves, I think, is extremely interesting. It goes right back to something like 'The Beggar's Opera' - the underbelly of society, how it operates, and how that reflects their so-called betters.

Sometimes you have to confront your demons and sometimes even let them loose to genuinely find a place where you can gain some understanding.

There are some people who walk into a room and they oxygenate it, by their very being there's fresh air. Then there are those who come in with the smell of death and they suck the life out.

A lot of actors aren't particularly good directors. And they're not particularly good with other actors. That's kind of a fallacy.

A script is utterly useless in and of itself; it's only of any worth the minute your actors, your designers, your directors come into being.

I don't like the way some actors, when playing a nasty character, will try to grab hold of something good about them.