Records Quotes

Harout Pamboukjian is one of the biggest Armenian folk singers in the world. In the '70s, he was making these records that were really Zeppelin-influenced.

I got to play on a couple of records with the Rolling Stones, and that was really special to me.

I set records that will never be equaled. In fact, I hope 90% of them don't even get printed.

I'm a collecting maniac and I buy a lot of books and records. I have over thousand cds.

I make records with an open mind, I always have.

The sports page records people's accomplishments, the front page usually records nothing, but man's failures.

When you got a group like G-Unit... we sold millions of records, we got a lot of egos.

Shady's great; I love Shady Records.

I've sold my records outta shopping carts on the street.

This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.

Being able to still make records is a privilege. I don't take it casually.

When people pay to see you live, they connect with you on a much deeper level than people who just buy your records.

I don't think about records.

I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy.

I don't think about goals and records. Competition is what keeps me playing.

All of my style came from listening to records.

Apollo Records signed me for my gospel ability.

I didn't need to depend on the record company to publish my records.

My original idea was to produce and not make records myself.

I've made more than 50 records with a wide range of music. I've often veered to check something out.

I always want to make Strokes records and play Strokes shows.

All I want to do is sing on other people's records.

I always thought my records were number one; it's just the charts didn't think so.

There's nothing like Nashville for making records.

The Shades never recorded anything, Little Daddy and the Bachelors recorded a couple of records, ya.

I can't stand making records.

World records are only borrowed.

Critics don't buy records. They get 'em free.

I think English people were a lot better at breakdancing than they were at making records.

Most great records really start with the drums.

I need to reach a lot of people to sell records.

I've only been making records since 1991. When you look at the long-standing careers of people like Joni, it's not very long!

I have records in gold, in platinum, I have two Oscars, I have Grammys and so on.

If I never sang on a record again I can still look at my walls. They are covered floor to ceiling with gold and platinum records from all over the world.

All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.

Honestly, a lot of pop records have beatboxing. Timbaland beatboxes on his tracks. Justin Timberlake beatboxes.

Records used to be documents, but now record companies want product.

I don't want to live on past records.

They don't bother too much with the balance and things on blues records.

It really does take a lot of time to make records, to be in the studio and do all that stuff.

I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.

There are definite reference points to older Depeche Mode records.

There haven't been many credible electronic covers records.

People still come up to me and ask me to sign their records. That's right, records! Man, they don't even make records no more!

We've sold over 100,000 records so far, and we're an independent label.

For us, the pressure comes from internal matter of having recorded eight records.

I've been DJing since before I could read the labels on the records.

I buy records - vinyl. I have a record player at home.

If you don't think drugs have done good things for us, then take all of your records, tapes and CD's and burn them.

We had incense and rock'n'roll posters, and we sold records and rolling papers. People could just, like, hang out. We had a cool vibe going.

When I was a kid, I had some Charles Lloyd records.

With our first two records we backed ourselves into a hole musically.

Records... a record just shouldn't be that important.

Before I joined The Beach Boys, I was working at Columbia Records as a producer, and saw The Byrds come in and do their first overdub before Terry even met them.

Well, a lot of our concerts do okay, and I know we still get royalty checks which still isn't that important, but again, I have to just say that we're making our records.

I like records that flow really well and you don't have to skip around because there's lot of different jumps.

China's got a billion people and a hit record over there is a million records. You know that ain't right.

I plan on making a lot more records, and hopefully one of them will be Grammy worthy.

Stevie Wonder's records introduced me to '70s soul when I was 12 or 13.

I have tons of jazz records: John Coltrane, Thelonious Monk, Miles Davis. I could go on and on.

Growing up, we had folk records.

The WTO has one of the most impressive records in global economic governance, by promoting trade liberalisation and economic development.

Obviously, I want to sell records, but I do it because I find it therapeutic. In music I can be myself.

I just to put out the best records I can and perform the best I can.

I'm playing to the sort of people who like the same records.

To me, making records isn't work.

My goal was never to sell many records.

When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.

There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.

I sold my life to Capitol Records; it sucks.

Long made it possible for me to get on records, so what little money he did take from me, if any at all, he was entitled to it. He didn't take something from me.

I was very laced with drugs myself, but Fred seemed to be even more so than me. That might have had something to do with it. That might have had something to do with nobody wanting to play my records, too, I don't know.

At that time, I was signed to Columbia Records as an Independent Producer. I spent many weeks forming, auditioning, rehearsing and recording demos for Kenny, who was finally signed to Columbia Records.

I want to make big-sounding pop records.

Some people make records that are defined by their sexuality, but mine really are not.