Thomas Kincade's Quotes

I view art as an inspirational tool.

I'm a warrior for light.

Everyone can identify with a fragrant garden, with beauty of sunset, with the quiet of nature, with a warm and cozy cottage.

I remember my mom had a big collection of copies of Saturday Evening Post magazines, and that was really my introduction to those great illustrators.

I share something in common with Norman Rockwell and, for that matter, with Walt Disney, in that I really like to make people happy.

People are reminded that it's not all ugliness in the world.

When I got saved, God became my art agent.

With whatever talent and resources I have, I'm trying to bring light to penetrate the darkness many people feel.

I was always the kid who could draw. I had this talent, and it was the one thing that gave me some kind of dignity in the midst of my personal environment.

People who put my paintings on their walls are putting their values on their walls: faith, family, home, a simpler way of living, the beauty of nature, quiet, tranquillity, peace, joy, hope. They beckon you into this world that provides an alternative to your nightly news broadcast.

Children like their mothers especially to be standing still and watching them, even if they are sleeping. At least that's how I felt. There's nothing wrong with the self-interest of children; it's just the way they are.

Everyone who knew me as a child, they say they're not surprised that I became a writer because I wrote all the time. I don't remember writing, because I wouldn't have had the tools, but I think what they are saying is that I would pretend I was a writer.

For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided.

I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.

I grew up in a place where books were very, very scarce, and I loved to read. I used to read the writing on my breakfast Ovaltine over and over again because it was in front of me, and I couldn't help but read anything that was in front of me.

I grew up in this poor place, with very limited circumstances, at about 16 years of age was sent by my family to work, and instead of remaining in the position into which I was sent, I somehow worked my way out of it without any help from anyone, just luck.

I have a photograph of myself when I was 2 years of age, and I don't recognize the person in the photograph. She doesn't look anything like me, and I can't find any trace of her in me physically. And yet I remember her very, very well - even her anxiety.

I have a sense of destiny because of my mother, who was an extraordinary person but a terrible candidate for mother. She was like the god Cronus, who gave birth to his children in the morning and then ate them at night.

I have no credentials. I have no money. I literally come from a poor place. I was a servant. I dropped out of college. The next thing you know I'm writing for the 'New Yorker,' I have this sort of life, and it must seem annoying to people.

I picked a name that was a combination of an island name and a very English name. Havana was one choice and Dominico was another, but I liked the combination of Jamaica Kincaid.

I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.

I think life is difficult and that's that. I am not at all - absolutely not at all - interested in the pursuit of happiness. I am not interested in the pursuit of positivity. I am interested in pursuing a truth, and the truth often seems to be not happiness but its opposite.

It is true that I am a writer, and I was married to a composer, and I have lived in a small village in New England, but my children are not named Heracles and Persephone, and my daughter doesn't disappear underground every six months and emerge in the spring.

One doesn't have to pursue unhappiness. It comes to you. You come into the world screaming. You cry when you're born because your lungs expand. You breathe. I think that's really kind of significant. You come into the world crying, and it's a sign that you're alive.

Race is not particularly interesting to me. Power is. Who has power and who doesn't. Slavery interests me because it's an incredible violation that has not stopped. It's necessary to talk about that. Race is a diversion.

The English language started out as a distortion in my life, but nothing remains the same, and so the distortion is now just normal. That is one of the things that will happen to all distortions: They become normal and turn into something else.